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HUDSON RIVER SCHOOL GALLERIES:
The year 2009 marks the four hundredth anniversary of Henry Hudson's discovery of the river that bears his name, which also reminds us that it graces the name of our first native school of painting. In our renovated first floor galleries is a selection of extraordinary Hudson River School canvases by listed artists who hang in many major museums, and who were widely exhibited, indeed celebrated in the mid 19th century, the high water mark of the Hudson River School. This stylistic template, as established in 1825 by Thomas Cole, set the mark for how the White Mountains of New England were painted, how our coastlines were depicted, it went out west with Albert Bierstadt and Thomas Moran, and long before Florida became the elephants graveyard of where people from the Northeast went to retire, Martin Johnson Heade, Frank Shapleigh, George Inness, and Herman Herzog brought this aesthetic south to Florida as they ably captured on canvases naturalistic New World landscapes of their own twilight years.
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After 1876 came the decline of the school, as both the artists and the namesake river underwent a century's worth of neglect, but this began to change with the fight over Storm King Mountain as chronicled in the 1969 publication of The Hudson River, a Natural and Unnatural History by Robert H. Boyle. Several years later Scenic Hudson underwrote the costs of The Hudson River and Its Painters, by John Howatt, and then in 1987 came American Paradise, the World of the Hudson River School by John Howatt, et al, published by the Metropolitan Museum of Art and underwritten by the Hudson River Foundation. No longer quite so ignored the Hudson River, and its' Painters, remain the first American School style of painting.
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